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                <channel>  
                    <title>Library Binus</title>  
                    <link>http://library.binus.ac.id</link>  
                    <description>  
                    E-Info Package 
                    </description>  
                      <image>
                        <url>http://library.binus.ac.id/images/feature/binus_corporate.gif</url>
                        <title>Library And Knowledge Center</title>
                        <link>http://library.binus.ac.id</link>
                      </image>
                    <category>
                    E-Info Package
                    </category>
          
            <item>  
                <title>Advertising planning, ad-agency use of advertising models, and the academic practitioner divide</title>  
                <link>http://library.binus.ac.id/Collections/infopackage_detail.aspx?id=139</link> 
                <pubDate></pubDate>  
                <author>Helen Gabriel</author>  
                <description>&lt;div &gt; 
                                Purpose – To examine the extent to which “account planners” in advertising agencies use formal
academic models of “how advertising works” and to identify the factors that discourage non-users
from applying academic advertising theory.
Design/methodology/approach – Account executives in 152 full-service and 72 creative
advertising agencies in the UK completed a questionnaire concerning the use of formal models,
preferences for developing those in-house versus adopting pre-existing “textbook” prescriptions, and
factors that might discouraged application of academic advertising theory in any form. The data
collected were interpreted by means of factor analysis, structural equation modelling and
correspondence analysis, and conclusions drawn with respect to theory and practice.
Findings – There was considerable ignorance of formal models of advertising effect. Agencies using
them typically favoured the hierarchy-of-effects variants. Although more than a third of the sample
eschewed models, there was little evidence of animosity towards advertising theory of itself.
Non-adoption was significantly explained by constructs drawn from the academic literature of
knowledge dissemination.
Research limitations/implications – It was not possible in this study to establish precise details
of agencies’ in-house proprietary models, so the degree to which those reflected either current practice
or textbook prescriptions could not be determined.
Practical implications – The study emphasises the pressing need to harmonise formal models of
“how advertising works” with conceptual frameworks used by advertising agencies in practice (if
any), for the improvement of campaign planning and evaluation.
Originality/value – This is the first empirical study to investigate the extent to which advertising
theory is actually used by account planners in advertising agencies.&lt;/div&gt; 
                </description> 
                <copyright>Hasil karya tulis ini dilindungi undang-undang hak cipta. Cantumkan sumbernya bila anda mengutip sebagian atau seluruh isi info package ini.</copyright>
                <source>Marketing Intelligence &amp; Planning Vol. 24 No. 5, 2006 (pp. 505-527)</source>
                <language>ENG</language>
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            <item>  
                <title>Visual representations in knowledge management: framework and cases</title>  
                <link>http://library.binus.ac.id/Collections/infopackage_detail.aspx?id=138</link> 
                <pubDate></pubDate>  
                <author>Martin J. Eppler</author>  
                <description>&lt;div &gt; 
                                Purpose – The purpose of this article is to explore the potential of visualization for corporate knowledge
management.
Design/methodology/approach – The employed methodology consists of a taxonomy of visualization
formats that are embedded in a conceptual framework to guide the application of visualization in
knowledge management according to the type of knowledge that is visualized, the knowledge
management objective, the target group, and the application situation. This conceptual framework is
illustrated through real-life examples.
Findings – The findings show that there is much room for knowledge management applications based
on visualization beyond the mere referencing of experts or documents through knowledge maps.
Research limitations/implications – The research implications thus consist of experimenting actively
with new forms of visual knowledge representation and evaluating their benefits or potential drawbacks
rigorously.
Practical implications – The authors encourage managers to look beyond simple diagrammatic
representations of knowledge and explore alternative visual languages, such as visual metaphors or
graphic narratives.
Originality/value – This paper consists of two elements: first, the systematic, descriptive and
prescriptive approach towards visualization in knowledge management, and second the innovative
examples of how to harness the power of visualization in knowledge management.&lt;/div&gt; 
                </description> 
                <copyright>Hasil karya tulis ini dilindungi undang-undang hak cipta. Cantumkan sumbernya bila anda mengutip sebagian atau seluruh isi info package ini.</copyright>
                <source>JOURNAL OF KNOWLEDGE MANAGEMENT  VOL. 11 NO. 4 2007, (pp. 112-122)</source>
                <language>ENG</language>
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            <item>  
                <title>Graphic novels: a sure bet for your library</title>  
                <link>http://library.binus.ac.id/Collections/infopackage_detail.aspx?id=137</link> 
                <pubDate></pubDate>  
                <author>Mary Jane Heaney</author>  
                <description>&lt;div &gt; 
                                Purpose – Provides a comprehensive review of the significance attributed to the usefulness, practicality and appropriateness of graphic novels in the
school library media center with specific implications for collection development.
Design/methodology/approach – A careful review of recent literature provides the school media specialist with an overview of graphic novels
including definitions, challenges, benefits, helpful resources, curricular connections and collection development issues. The sources reflect the recent
trends in the increasing popularity of graphic novels and their use and benefit in school media centers.
Findings – Presents information on the definitions of graphic novels and the challenges and benefits specific to the school media center. Notes that
while challenges exist, the benefits of including graphic novels in the school library media center are many, including engaging reluctant readers. Offers
practical information for collection development and provides useful sources that serve many purposes.
Practical implications – Offers background information for the school library media specialist about graphic novels. Includes advice and practical
strategies for building a graphic novel collection in the school media center.
Originality/value – This paper reflects recent trends toward increased interest in graphic novels and offers the school media specialist practical advice
on how to best meet that growing interest by including graphic novels in the school media center.&lt;/div&gt; 
                </description> 
                <copyright>Hasil karya tulis ini dilindungi undang-undang hak cipta. Cantumkan sumbernya bila anda mengutip sebagian atau seluruh isi info package ini.</copyright>
                <source>Collection Building Volume 26 · Number 3 · 2007 · (72–76)</source>
                <language>ENG</language>
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            <item>  
                <title>GLBTQ content in comics/graphic novels for teens</title>  
                <link>http://library.binus.ac.id/Collections/infopackage_detail.aspx?id=136</link> 
                <pubDate></pubDate>  
                <author>Devon Greyson</author>  
                <description>&lt;div &gt; 
                                Purpose – This paper aims to provide an historical perspective and current guidance for youth librarians collecting graphic novels for teens.
Design/methodology/approach – The paper provides a brief review of the historical issues involved with censorship/intellectual freedom and comics
and of current teen-oriented graphic novels with gay, lesbian, bisexual, transgender, queer, and questioning of sexual orientation (GLBTQ) content in
Canada and the USA. It also provides a context for negotiating intellectual freedom and collection management policy issues, and suggestions for
targeted acquisitions of teen graphic novels with GLTBQ content.
Findings – The paper provides a brief overview of US and Canadian censorship of comics, including how this legacy affects today’s market. It
recognizes the difficulty of obtaining information and recommendations for teen-appropriate graphic novels containing GLBTQ content, and makes
suggestions for core collection items.
Research limitations/implications – Only English sources from the USA and Canada are reviewed. Francophone Canadian literature is relevant but
outside of the scope of this paper.
Practical implications – The paper is a useful source of information for the librarian looking for collection development suggestions, and/or for the
librarian dealing with or preparing against intellectual freedom challenges to graphic novels or GLBTQ material for teens.
Originality/value – This paper furthers discussion of censorship of graphic novels and of GLBTQ material, and provides concrete suggestions to
librarians developing a teen graphic novel collection. The issue is timely, as the graphic novel industry is booming and the ALA has documented an
increasing number of challenges to graphic novels in libraries. Few previous papers on graphic novels or comics have included Canadian content,
although the Canada-American library worlds, publishing industries and legal codes are historically and currently intertwined.&lt;/div&gt; 
                </description> 
                <copyright>Hasil karya tulis ini dilindungi undang-undang hak cipta. Cantumkan sumbernya bila anda mengutip sebagian atau seluruh isi info package ini.</copyright>
                <source>Collection Building Volume 26 · Number 4 · 2007 · (130–134)</source>
                <language>ENG</language>
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            <item>  
                <title>Commentary towards effective poster presentations: an annotated bibliography</title>  
                <link>http://library.binus.ac.id/Collections/infopackage_detail.aspx?id=135</link> 
                <pubDate></pubDate>  
                <author>Douglas Brownlie</author>  
                <description>&lt;div &gt; 
                                Purpose – The aim of this paper is to introduce the topic of poster presentation as legitimate area of
academic study and practice within the marketing discipline.
Design/methodology/approach – The paper presents the output of one part of a research project
that reviewed the state of knowledge and practice within poster presentation as a dissemination
medium for research information. The results of the literature search are presented as an annotated
bibliography.
Findings – The literature search reveals a sizeable body of material on the use of poster presentation
as a dissemination media, indicative of a set of key themes that guide good practice in poster design,
construction and presentation. It also includes material that has studied the use of poster design and
presentation exercises as pedagogical devices.
Research limitations/implications – The research on which the paper is based is limited by
virtue of not offering a more complete survey of contemporary poster presentation practice across the
sciences. It draws observations from the author’s attendance at several marketing and
management-related conferences where poster presenters have been interviewed and examples of
poster presentation have been collected. However, in the sciences, especially the medical sciences,
poster practice is well-established and in some cases moving towards digitisation.
Practical implications – The aesthetics of poster design remain unclear in the case of poster design
for the dissemination of scientific information. However, a set of templates has been produced based on
the close study of a database of over 600 poster designs and ten years’ experience of using posters as
teaching tools for research training. A methodology for poster design has also been developed known
as “The Block Architecture Method of Poster Design”. It uses the software Powerpoint and Photoshop
to develop poster design electronically.
Originality/value – The bibliography will help interested teachers and students explore the various
issues surrounding poster design, construction and presentation. It will also help to understand some of
the advantages of using poster-design exercises as creative and critical devices in a pedagogical context.&lt;/div&gt; 
                </description> 
                <copyright>Hasil karya tulis ini dilindungi undang-undang hak cipta. Cantumkan sumbernya bila anda mengutip sebagian atau seluruh isi info package ini.</copyright>
                <source>European Journal of Marketing Vol. 41 No. 11/12, 2007 (pp. 1245-1283)</source>
                <language>ENG</language>
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            <item>  
                <title>Circles of practice: educational and professional graphic design</title>  
                <link>http://library.binus.ac.id/Collections/infopackage_detail.aspx?id=134</link> 
                <pubDate></pubDate>  
                <author>Cheri D. Logan</author>  
                <description>&lt;div &gt; 
                                Purpose – This paper investigates the specialist learning undertaken in graphic design classrooms
and its relationship to industry practices. It considers how well students are prepared for work and the
nature of this vocational preparation.
Design/methodology/approach – The paper is based on an empirical study using a qualitative,
case study approach. A situated perspective on design learning and knowledge was adopted, and a
strong focus on studio discourse developed. An analytical method based on respondents’ use of
metaphor in practice-oriented discourse evolved, providing an interpretive framework for the study.
Findings – The paper describes the difficulties involved in undertaking research into design
classrooms, outlining how these were resolved to allow the unique learning activities of the design
practicum to be identified. It discusses the lack of recognition of design pedagogies, and considers their
characteristic strengths and weaknesses. Key metaphorical discourses structuring design learning,
teaching and practice are identified. Shared discourses in use across graphic design education and
industry suggest the alignment of these contexts, providing a perspective on them as overlapping
“circles of practice”. Conclusions are drawn about the effectiveness of graphic design vocational
education.
Originality/value – The study suggests a means of researching practice-oriented discourses and
activities across a range of settings. It offers ways of considering the alignment of educational
and professional contexts by using a modified “situated” perspective on learning. This perspective
allows for recognition of types of learning that do not meet traditional, “academic” criteria and of the
vocationally-referenced pedagogies that promote them.&lt;/div&gt; 
                </description> 
                <copyright>Hasil karya tulis ini dilindungi undang-undang hak cipta. Cantumkan sumbernya bila anda mengutip sebagian atau seluruh isi info package ini.</copyright>
                <source>The Journal of Workplace Learning Vol. 18 No. 6, 2006 (pp. 331-343)</source>
                <language>ENG</language>
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            <item>  
                <title>Determinants and antecedents of general attitudes towards advertising : A study of two EU accession countries</title>  
                <link>http://library.binus.ac.id/Collections/infopackage_detail.aspx?id=133</link> 
                <pubDate></pubDate>  
                <author>Dan Petrovici</author>  
                <description>&lt;div &gt; 
                                Abstract
Purpose – The purpose of this paper is to explore the relationships between determinants and
primary antecedents of advertising and attitudes to advertising in the context of European Union
accession countries.
Design/methodology/approach – Drawing on data from consumer surveys conducted in the
major urban areas of Bulgaria and Romania the study conceptualises an extended version of Pollay
and Mittal’s model of beliefs and attitudes toward advertising. It tests a comprehensive range of
attitudes toward the institution of advertising and its instruments in each country to identify
similarities and differences in consumer perceptions.
Findings – Findings confirm that consumers in the two countries are more positive about
advertising as an institution than the instruments used to promote advertising. While product
information acquisition is the main personal use of advertising which influences general attitudes to
advertising in Bulgaria, the entertaining value of advertising was found the strongest personal use in
Romania. No significant differences were found in the attitudes toward the institution and instruments
of advertising in the two countries.
Research limitations/implications – As data used in this study come from major urban areas in
Bulgaria and Romania this might account for small research bias if the overall population of the two
countries is considered. Interview bias were reduced by eliminating the verbal or non-verbal cues to
the respondents. The diverse composition of the two samples and the random selection of respondents
have limited the research bias which is often a problem with other studies in Central and Eastern
Europe that use predominantly convenience student samples.
Practical implications – The paper suggests that managers should focus on and exploit the overall
positive general attitudes toward advertising in Romania and Bulgaria. Marketers should prioritise
the informative power of advertising and use it cautiously in view of its perceived manipulative role
especially to children. Advertisers need to devote more specific attention to re-enforce the credibility of
the institution of advertising in both countries.
Originality/value – The paper is a result of an original research that has extended theoretical
concepts and compared their applicability to comparable EU accession contexts. Its findings suggest
that advertising should be adapted to the personal uses and attitudes to advertising in the researched
contexts by putting more emphasis on image building in order to increase its persuasive power and
raise public trust in the institution and instruments of advertising.&lt;/div&gt; 
                </description> 
                <copyright>Hasil karya tulis ini dilindungi undang-undang hak cipta. Cantumkan sumbernya bila anda mengutip sebagian atau seluruh isi info package ini.</copyright>
                <source>European Journal of Marketing Vol. 41 No. 3/4, 2007 (pp. 307-326)</source>
                <language>ENG</language>
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            <item>  
                <title>Cross-cultural advertising research: where we have been and where we need to go</title>  
                <link>http://library.binus.ac.id/Collections/infopackage_detail.aspx?id=132</link> 
                <pubDate></pubDate>  
                <author>Shintaro Okazaki</author>  
                <description>&lt;div &gt; 
                                Purpose – The purpose of this paper is to examine recent patterns and developments in the literature
on cross-cultural advertising research.
Design/methodology/approach – Citation analysis was performed for cross-cultural advertising
articles published in major marketing and business journals from 1995 to 2006.
Findings – Cultural values were the most studied topic area in cross-cultural advertising research.
Content analysis was the most widely employed methodology, followed by surveys. North America
and the original European Union (EU) member states were the most frequently investigated, whereas
there appears to exist a paucity of research in newer EU countries, and in Latin American, Middle
Eastern, and African markets.
Originality/value – Based on findings from the citation analysis, the authors outline future
directions for the advancement of cross-cultural advertising research in theoretical foundations,
methodological issues, and countries to be explored.&lt;/div&gt; 
                </description> 
                <copyright>Hasil karya tulis ini dilindungi undang-undang hak cipta. Cantumkan sumbernya bila anda mengutip sebagian atau seluruh isi info package ini.</copyright>
                <source>International Marketing Review Vol. 24 No. 5, 2007 (pp. 499-518)</source>
                <language>ENG</language>
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            <item>  
                <title>Consumers response to offensive advertising: a cross cultural study</title>  
                <link>http://library.binus.ac.id/Collections/infopackage_detail.aspx?id=131</link> 
                <pubDate></pubDate>  
                <author>Kara Chan</author>  
                <description>&lt;div &gt; 
                                Purpose – The purpose of this paper is to examine how Chinese and German consumers react to
print advertisements that are potentially offensive.
Design/methodology/approach – Using culture theories about information context, individualism
and feminine consciousness, the paper hypothesizes that Chinese consumers will be less accepting of
the advertisements than German consumers. It also compares the dimensions of consumer perceptions
for both countries and how consumer perceptions are related with intentions to reject the products and
the brands because of the ads. A survey of 563 respondents aged 17-58 from urban China (Shanghai)
and Germany was conducted in October 2005 and June 2006. A questionnaire with six print
advertisements containing sexism and other themes was constructed. Data were collected through five
universities.
Findings – Findings on perceptions of the offensive advertisements among Chinese and German
respondents were mixed. Overall, as expected, Chinese respondents were less accepting of offensive
advertising, as they liked the advertisements less than German respondents. However, they were also
more likely than German respondents to find the advertisements convincing and informative. Results
showed that Chinese respondents and German respondents had different dimensions of advertising
perceptions. The two print advertisements that received the most negative perceptions both contained
sexually oriented body images. The study also found that advertising perceptions had a significant
impact on consumers’ intentions to reject the products and the brands.
Research limitations/implications – The city surveyed in China is highly advanced in terms of
economical and advertising development when compared with all other Chinese cities. Consumer
responses were derived from a student sample. Only the “manner” of offensive advertising was
studied, and the “matter” as well as “media” were not covered.
Practical implications – Useful advice for marketers and advertisers to understand how far they
can stretch the line for controversial advertisements and to assess the possible risk involved.
Originality/value – This paper offers insight to design communication and message strategies for
consumers of very different cultural backgrounds&lt;/div&gt; 
                </description> 
                <copyright>Hasil karya tulis ini dilindungi undang-undang hak cipta. Cantumkan sumbernya bila anda mengutip sebagian atau seluruh isi info package ini.</copyright>
                <source>International Marketing Review Vol. 24 No. 5, 2007 (pp. 606-628)</source>
                <language>ENG</language>
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            <item>  
                <title>Advertising creativity : The view across the meeting room and across cultures</title>  
                <link>http://library.binus.ac.id/Collections/infopackage_detail.aspx?id=130</link> 
                <pubDate>8/12/2010 12:03:40 PM</pubDate>  
                <author>Railton Hill</author>  
                <description>&lt;div &gt; 
                                Purpose – The study aims to extend knowledge of practitioner beliefs amongst advertising agency
creatives across three countries – Australia, New Zealand and Malaysia – regarding factors that
impact advertising creative excellence in the advertising agency. The study also seeks to address
views across Australian creatives and their clients.
Design/methodology/approach – The design combined preliminary qualitative work using depth
interviews with a subsequent questionnaire-based survey of the various stakeholder groups. Opinions
of Australian creatives are compared, using the same survey instrument, with those of a sample of
Australian advertiser clients. The views of the various national groups of creatives are then
compared using the same instrument.
Findings – The results indicated that a group of factors encourage creatives, and to an extent their
clients, to have high expectations of the achievement of optimal creative work. There was more
agreement among the creatives across the three countries than agreement between the Australian
advertisers and any of the groups of creatives. There were also differences evident between the views
of Malaysian creatives, on the one hand, and their Australian and New Zealand counterparts, on the
other. A finding that Malaysian creatives were in slightly more agreement with the Australian
advertisers than were Australian and New Zealand creatives was unanticipated.
Research limitations/implications – Identified limitations include failure to collect data from
advertiser stakeholders (clients) in the non-Australian countries. This meant that direct comparisons
of client-agency beliefs could not be made within these countries. The challenge now is to explore the
reasons why the differences and similarities found exist.
Practical implications – Changes to practice to be made as a result of this research relate to
management of the structured transfer of information between agency and client stakeholders, and
management of authority issues in this relationship, particularly across cultures.
Originality/value – Provides cross-cultural as well as inter-organizational perspectives on
advertising agency–client relationships.&lt;/div&gt; 
                </description> 
                <copyright>Hasil karya tulis ini dilindungi undang-undang hak cipta. Cantumkan sumbernya bila anda mengutip sebagian atau seluruh isi info package ini.</copyright>
                <source>Asia Pacific Journal of Marketing and Logistics Vol. 19 No. 1, 2007 (pp. 9-21)</source>
                <language>ENG</language>
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