In other
words, a
metaphor
generally conveys an
imprc ssiion about something
some ways between it
and
something
fapc:rifurr. The fa1niliar thing
is sometimes
call.ed
means
by
which
the
new
impressions are conveyed),
called
the
tenor.
expressed is sometimes
Conservative
analysis
of
metaphor
meaning, but
Jacques Derri(la
n1air1tai.ned
that
lillforeseen
me,anil1gs
to conclusions
abouj
determinate
"rr!etapi1or
is
never imlc<:er:.t."
implying
is
a
trope
consisting of
a
comflarisc•n vvitl1011t
words
"like
11
or
nas,n as
in
'a
mighty fclli:ress is
mrr
God" or "my
is
a
::!.3.2.7. Allusim;;
As
ARP
(1991) rep<Jrts.
All11s:im1s
are
a
mca<S
of
rei<1:forcing
the
emotion
or
ideas
anot. er work
or oc,=:ioll"
A!lusion
is a
m1 taphor.
It
is a figure
of speech
r:mllli<g casual
reference
to
a
famous
historical
or
literary
""
·,.or event,
or
to
another
work
of !iterniure.
A
more
obvious
moment
T.S.
"The
Love Song
of
J. A!fred
P:-ufro<:k"
When.
spealcer declares, "Not
r
am
not
Prince
H&'l1let,"
he
assumes that
we
or
seen
a
nrclduc+Jcm
of
Shakespeare's
play,
and
that
we will
know
that
in
malcing his
he
is
saying
that
his
unstableness
has nothing
like the
tragic
are
an
al:usion,
there
is always a possibility
for
the
readerE to
mis:lllld<:rsta:nd
just as
we
are
using the
other
figtrre
of
speech.
The
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